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The
Rolling Stones at the Super Bowl Halftime Show
by Brian McAlley 3/2006 |
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OK, let me get one thing straight, I love the Rolling Stones. I've been a fan since the release of their first album way back in 1964, and there's no question in my mind that they are still the greatest rock and roll band of all time. I waited in great anticipation to revel in the excitement of their Super Bowl halftime performance, only to be a bit disappointed in the end. Maybe my expectations were too high, especially after recently viewing one of their outstanding performances from the Bridges to Babylon Tour on DVD, but whatever the case, their halftime performance, though exhilarating, was somewhat of a letdown.
The
band kicked off the mini-concert with their perennial opener, Start Me
Up, followed by the hard rocking Rough Justice, then concluded with an
extended version of the 1965 classic, (I Can't Get No) Satisfaction. For
a hard-core fan like myself, a performance by the Stones had the potential
to be the ultimate halftime show, but even though it was great to see
them, there were definitely some disappointments along the way. First
off, since it was only going to be a three-song set, I would have preferred
to hear a few of their truly classic numbers like Jumpin'
Jack Flash, Tumbling
Dice, You Can't Always Get What You Want, Sympathy For The Devil, or Gimme
Shelter, just to name a few.
In my opinion, Start Me Up has become too much of a retread, Rough Justice
is relatively new and doesn't hold a candle to any of their classic numbers,
and even
though Satisfaction is one of my favorite Stones tunes, I never particularly
liked the way they do it live.
Along
with the song selection, I also felt that the overall sound was disappointing,
but I did keep in mind that the crew working with the Stones had to assemble
the stage, erect twenty-seven tons of lights, and make a quick sound check,
all in less than six minutes, which was a monumental task in itself. The
mammoth stage, which was a giant replica of the Stones logo, was quite
an impressive piece of work that had self-contained pyrotechnics plus
an amazing unfurling tongue that revealed a gallery of screaming, exhaulted
fans underneath. After their twelve-minute performance, the entire stage
had to be disassembled once again in the same six-minute time frame and
the crew were actually in the process of taking it apart as the band were
still taking their final bows. |
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