Featuring: Vicki Blue, Cherie Currie, Jackie Fox, Suzi Quatro, Kim Fowley
Victory Tischler-Blue - Director / Producer / Screenwriter / Editor / Composer (Music Score)
Cinematography: Tim Herman, Steve Payne
Additional music scoring: Lita Ford
Art Director: Stephen Steiner
Co-producers: Barton Sterling Astor, Jerry Behrens, Joel T. Smith
Executive Producers: P. Arden Brotman, Dwina Murphy-Gibb
Studio: Image Entertainment
DVD Release Date: April 5, 2005
Runtime: 109 minutes
It was an album with a gatefold that resembled the latest issue of Playboy when you opened it. Singer Cherie Currie with a blue button down shirt, buttoned way down; tough as nails guitarist Lita Ford in her tight black v-neck; and rhythm guitarist Joan Jett looking as casual and confident as ever. It was every young boy's fantasy a sexy all-girl rock band that were actually kids themselves (all of them 16, except Jett who was 17). It's that debut album from The Runaways that I still find myself dazzled by to this day. Since its release in 1976 I have had an obsession of sorts with this band. Now, when I say obsession it sounds so, ...um, ...sexually perverse. Well, maybe back in '76 it was a sexually driven obsession, but today it's an obsession with a rock band. A revolutionary rock band that silenced the cynics that had, for so long, believed that women had no place in the male dominated world of hard, driving rock 'n' roll. This film is their story, from the band's beginning to its' sad demise.
This is a film that deals from the artist's point of view. We hear from everyone but the most successful Runaway, Joan Jett. Jett has not stated publicly exactly why she did not agree to participate in the making of the film, but my guess is she did not want to rehash the past and be any part of a "tell all" type of production. Let me say that I admire that line of thought, if in fact that is the reason for Jett's absence; but let me also say, ...Goddamn it Joan, it would have been so incredible with your input. Is the absence of Jett felt while watching the film? Of course. Absolutely. With Jett writing or co-writing just about every song The Runaways ever did, the soundtrack has virtually no Runaways songs on it because of Jett's complete opposition. Is it still an interesting account of the band without her? Absolutely. The film is produced, directed, and edited by ex-Runaway Vicki Blue, who now goes by the name of Victory-Tischler Blue. All through the film she takes a backseat to all of the original members of the band (except Jett, of course) when they vividly reminisce of their time with the band. Going into this, I was afraid I would hear too much about the later years that Blue was a part of, and not enough about the beginnings of the band. I was pleasantly surprised to find that the film dealt with the entire history of the band from start to finish. Blue does a wonderful job of walking us through almost every notable occurrence in the band's history.
the film's title and cast are introduced in the opening scene, it is befitting
to hear a killer track from Suzi Quatro playing in the background. Joan
Jett was obsessed with Quatro, and the band was based around the same
"tough rocker chick" sound that Quatro was popularizing for
fans in Europe at the time. Cherie Currie was actually told to learn any
Suzi Quatro song for her audition. When she chose Quatro's lame cover
of "Fever", the girls were busy looking down on her, while Jett
and manager Kim Fowley penned a little tune called "Cherry Bomb"
on the spot. Currie ended up singing the tune for her audition, and the
rest as they say is history. We also learn here that bassist Jackie Fox
auditioned with the Kiss classic, "Strutter". Fox later in the
film explains that each member had a particular musician that they emulated.
Currie was David Bowie, Jett was Quatro, Ford was Ritchie Blackmore, drummer
Sandy West was "probably somebody from Queen", and Fox was Kiss
crazy man Gene Simmons. You can't help but get the feeling that these
girls were doing what all young music fans do, just on a huge, realistic
scale. We are constantly reminded that these girls were only 16 or 17
years old when they were touring the world with their eccentric manager