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There's
this great clip on You Tube featuring George Carlin talking
to Arsenio Hall about Doo Wop.
"When
I was growin' up, '52, '53, '54, when I was 15, 16 and 17, ok,
the best years
the white music, the pop music of that
time, was Perry Como, and, you know, Bing Crosby, and The
Andrew Sisters, and Georgia Gibbs
.that what was on
the radio
..(but) disc jockeys like Alan Freed were
out there startin' to get this thing rolling
we were
lucky because the jukeboxes in our neighborhood had The
Drifters, The Dominos, The Orioles, The Clovers, the early
groups, The 5 Crowns, The Spaniels, The Flamingos, all the
bird groups, The Swallows. They called them all the bird
groups, The Cardinals were another great one. So it was
much better music for making out...We'd get into the fish,
the grind, or whatever we would call the dance, just an
excuse to stand still and make out is all it was. That music
was a strong pull because again it had that freedom to it,
you know?
Clyde
McPhatter was still with The Dominos. He hadn't left yet
to form The Drifters. When he left that's when Jackie Wilson
took over for him in The Dominos. In '53 The Spaniels had
Goodnight Sweetheart, Goodnight. (Then) The white music
business ripped off the black music which happened in '54,
Sincerely, and all those tunes, and this guy, what was his
name, Bill Haley and the Rockets?.. the Comets
.really
lame stuff
.and they copped Joe Turner's tune, Shake,
Rattle and Roll, which was his and he beat them to the charts
by a couple of months so we were like bugged with that
you
know white people covering this good music. We knew the
original Sh- Boom was by the Chords
At 17 I went into
the Air Force, this is when I really got into the music
that's when I started singing some of these songs, and it
wasn't doo wop. That's another word that came along later
when these white groups were doing it. It was still rhythm
and blues what I call hallway groups. There were some pretty
decent (white) groups. I don't mean to just generally dismiss
them, but there was a difference between what I was growing
up with and what came along later."
The
label doo wop is controversial, to say the least, among
the artists who performed the music. During a recent interview
Little Anthony said, "We are not a doo wop group. It
is a misconception." An interesting comment since he
and The Imperials are the latest inductees into the Rock
and Roll Hall of Fame, joining other 'doo wop' artists The
Coasters, Frankie Lymon and the Teenagers, Dion, The Drifters,
and The Platters. Question: is "I'm On The Outside
Looking In" rock and roll? No problem calling it a
pop record or even doo wop, but rock and roll? It gets complicated
and it's really like splitting hairs. Anthony and The Imperials
and all of the groups who are known today as doo wop are
all masters of vocal group harmony. You can label it anyway
you want, but it is vocal group harmony.

Truth
is, as Carlin points out, the music wasn't called doo wop
when it was recorded and released back in the day. In the
40's and 50's black artists records were dubbed as race
music and that title evolved into rhythm and blues. There
were many styles of music under the R&B umbrella...solo
artists, bands, and the harmony music now known as doo wop.
The
actual term doo wop probably goes back to a riff in "When
You Dance" by The Turbans. Then on "In The Still
Of The Night" by The 5 Satins there's another vocal
doo wop riff in the background, but why single that out
and label an entire style of music with that name? Some
credit, or damn, depending on your point of view, the late
DJ Gus Gossert with coining the phrase on his New York radio
shows, but others say it originated in California.
Fact
is for the last 30 years the term "doo wop" has
been used to describe old R&B plus 50's and early 60's
vocal group harmony. Many of the early R&B artists dislike
the term and we not only respect them, but love the incredible
music they created. With that said for our purposes the
term doo wop covers great vocal group harmony records primarily
from the 50's and 60's, with an occasional tune recorded
earlier or later.
R&B,
Doo Wop, Rock and Roll, Race Music
different names
for what really matters
the music. What follows is
a list of one hundred excellent examples of this music that
will never die.
The Doo Wop Essential Top 100
|
| 1. |
Gloria - The Cadillacs |
|
Diamonds and Pearls - The Paradons |
3. |
I Only Have Eyes for You - The Flamingos |
4. |
Daddy's Home - Shep and the Limelites |
5. |
I Wonder Why - Dion and the Belmonts |
| |
In 1989, Lou Reed inducted Dion into the Rock and Roll Hall of Fame and said, "(I wanted to escape…) the world of SAT tests, the college boards - leap immediately and eternally into the world of Shirley and Lee, the Diablos, the Paragons, The Jesters. The lyrics sat in my head like Shakespearian sonnets with all the power of tragedy: "Gloria," "Why Don't You Write Me Darling." "Send Me A Letter" - The Jacks. And then there was Dion - that great opening to "I Wonder Why" engraved in my skull forever. Dion, whose voice was unlike any other I had heard before. Dion could do all the turns, stretch those syllables so effortlessly, soar so high he could reach the sky and dance there among the stars forever. |
6. |
To
Be Loved - The Pentagons |
7. |
Oh
What A Night - The Dells – Great
Chicago group who were originally called The El-Rays. |
8. |
Since
I Don't Have You - The Skyliners |
9. |
Hey
Senorita - The Penguins |
| |
This
tune was called "Esa Chiquita'. As "Hey, Senorita"
it was released as the A-side, but the jocks played the B
side and "Earth Angel" reached #8 on the pop charts. |
| 10. |
Sincerely
- Moonglows |
| 11. |
Been
So Long - The Pastels |
| 12. |
When
You Dance - The Turbans |
| 13. |
Where
Or When - Dion & the Belmonts |
| 14. |
Why
Do Fools Fall in Love - Frankie Lymon and the Teenagers – Originally
titled
"Why Do Birds Sing So Gay?" |
| 15. |
I'm
So Happy (Tra-La-La-La-La) - Lewis Lymon and the Teencords |
| 16. |
16 Candles - The Crests |
| |
Johnny
Maestro (John Mastrangelo) is one of the greatest male vocalists
in the history of rock and roll. In the 1950's he fronted
one of the first integrated groups, The Crests. They formed
in Manhattan, and included Harold Torres, Talmadge Gough,
J.T. Carter, and the older sister of Luther Vandross, Patricia
Vandross. |
| 17. |
Glory
Of Love - The Five Keys |
| 18. |
At
My Front Door - The El Dorados |
| 19. |
One
Summer Night - The Danleers |
| 20. |
The
Wind - The Diablos – Covered
by The Jesters. |
| 21. |
Can't We Be Sweethearts - The Cleftones |
| 22. |
Please
Say You Want Me - The Schoolboys |
| 23. |
Look
in my Eyes - The Chantels |
| 24. |
Wisdom
Of A Fool -The Five Keys |
| |
Tony
DeLauro, producer of The Royal New York Doo Wopp Show, a series
of unforgettable concerts that ran from the late 70's to the
early 90's at The Beacon Theater and Radio City Music Hall
in Manhattan: "To me "Wisdom Of A Fool," that's
the song. Rudy West and The 5 Keys. We always used to tape
the show on to cassette and I would take the tapes home with
me. I would put my headphones on, put the tape in the stereo,
and lie down on the floor and listen. That night I must have
dozed off and I remember waking up at 4:30 in the morning
just as Rudy West was singing "Wisdom Of A Fool."
It's a pure love song. The point of the song was don't ever
let someone who loves you go. |
| 25. |
That's The Way It Goes - The Harptones |
| 26. |
Lovers
Never Say Goodbye - The Flamingos |
| 27. |
In
The Still Of The Night - The Five Satins – Written
by its singer Fred Parris and New York City's all time favorite
oldie. |
| 28. |
Earth
Angel - The Penguins |
| 29. |
Morse
Code Of Love - The Capris – Recorded
in the early 80's and a big hit in the northeast. Manhattan
Transfer covered it on their great album 'Bop Doo- Wop which
includes "Heart's Desire," "That's The Way
It Goes," and "Unchained Melody." |
| 30. |
Zoom - The Cadillacs |
| 31. |
You
Belong to Me -The Duprees |
| 32. |
Looking
for an Echo - Kenny Vance |
| |
He
put Jay and The Americans together and now fronts The Planotones
who along with Kenny's vocals - sweet tenor and/or falsetto
- create adult doo-wop harmony that never forgets the teen
angst and passion embedded in its roots. |
| 33. |
You Cheated, You Lied - The Shields |
| 34. |
My
Prayer - The Platters |
| 35. |
I
Thank The Moon - The Crests |
| 36. |
Tears
on My Pillow - Little Anthony & the Imperials |
| |
Born
in New York City in 1940, Little Anthony Gourdine became one
of rock's most sensational and passionate vocalists. At age
15 he joined The Duponts, his first doo-wop group. His next
group, which featured vocalists Clarence Collins and Ernest
Wright, Jr., was called The Chesters. They were signed to
End Records, and changed their name to The Imperials. Their
first single release, "Tears On My Pillow" was released
in 1958, and it was the legendary DJ, Alan Freed who first
called the group Little Anthony & The Imperials, a name
that they decided to use from that point on. |
| 37. |
My True Story - The Jive Five |
| 38. |
Life
Could Be A Dream (Sh-Boom) - The Chords |
| 39. |
Maybe
- The Chantels |
| 40. |
Life
Is But A Dream - The Harptones |
| 41. |
Church
Bells May Ring - The Willows – Neil
Sedaka played the chimes on this recording. |
| 42. |
Denise
- Randy and the Rainbows |
| 43. |
Don't
Ask Me to Be Lonely - The Dubs – The
originally recorded as The Marvels, but it was this tune that
got them on the charts in 1956. |
| 44. |
Little Girl of Mine - The Cleftones |
| 45. |
Tonight
Could Be The Night - The Velvets |
| 46. |
Please
Say You Want Me - Schoolboys |
| 47. |
Little
Star - The Elegants |
| 48. |
Long
Lonely Nights - Lee Andrews and the Hearts |
| 49. |
Story
Untold - The Nutmegs |
| 50. |
Remember
Then - The Earls |
| |
If
the only thing they ever did was their classic doo wop riff
. . . WOP WOP PATTY PATTY BOP BOP SHOE BOP DE BOP BOP OWOOOOOOO
. . . in this tune they would have made their contribution to
the history of rock and roll. It is a perfect rock and roll
record. |
| 51. |
Sunday Kind of Love - The Harptones |
| 52. |
We
Belong Together - Robert & Johnny |
| 53. |
This
Magic Moment - The Drifters – Nik
Cohen writes, "The Drifters were masters of escape .
. . their basic message was always the same: Somewhere in
this city, so vast and impersonal, so loud and harsh and filthy,
their is still a refuge, where nothing can reach you, where
fun is still fun." |
| 54. |
Smoke Gets In Your Eyes - Platters |
| 55. |
Can
I Come Over Tonight - The Velours |
| 56. |
So
Fine - The Fiestas |
| 57. |
Lonely
Way - The Skyliners |
| 58. |
Speedo
- Cadillacs |
| 59. |
To
Love And Be Loved - The Pentagons |
| 60. |
Blue
Moon - The Marcels |
| 61. |
Who's
That Knocking - The Genies |
| 62. |
Tonite,
Tonite - The Mello-Kings |
| 63. |
Could
This Be Magic - The Dubs |
| 64. |
Goodnight,
Sweetheart, Goodnight - The Spaniels |
| 65. |
Have
You Heard - The Duprees |
| 66. |
Castle
in the Sky - Bop Chords |
| 67. |
Chapel
of Dreams - The Dubs |
| 68. |
Golden
Teardrops - The Flamingos – A
perfect example of vocal group harmony. |
| 69. |
Babalu's Wedding Day - The Eternals |
| 70. |
Tonight
I Fell In Love - The Tokens |
| 71. |
Cherry
Pie - Marvin & Johnny |
| 72. |
Ten
Commandments Of Love - The Moonglows – Bobby
Lester and Harvey Fuqua had a group called The Crazy Sounds
renamed the Moonglows by DJ Alan Freed. |
| 73. |
Worst
That Could Happen - Brooklyn Bridge |
| 74. |
There's
a Moon Out Tonight - The Capris |
| 75. |
The
Way You Look Tonight - The Jaguars |
| 76. |
That's
My Desire - Dion and the Belmonts |
| 77. |
Fools Fall In Love - The Drifters |
| 78. |
Crying
In The Chapel - The Orioles |
| |
According
to the Rock and Roll Hall of Fame, "The Orioles established
the basic pattern for the doo-wop sound: wordless, melismatic
harmonies surrounding the tenor vocals of Sonny Til and George
Nelson's baritone. The Orioles differed from groups like the
Mills Brothers and the Ink Spots in that they made purely
vocal music without orchestration and accompanied only by
the solo guitar of Tommy Gaither. |
| 79. |
What Time Is It - Gene Pitt & The Jive Five |
| 80. |
What's
Your Name - Don and Juan |
| 81. |
This
I Swear - The Skyliners |
| 82. |
A
Thousand Miles Away - The Heartbeats |
| 83. |
Come
Go with Me - The Del-Vikings |
| 84. |
This
Is My Love - The Passions |
| 85. |
Only
You - The Platters |
| 86. |
Over
the Rainbow - The Dimensions |
| 87. |
Devil
or Angel - The Clovers |
| 88. |
Oh
Rosemarie - The Fasinators |
| 89. |
Heart
and Soul - The Cleftones |
| 90. |
Every
Day Of The Week - The Students |
| 91. |
For
Sentimental Reasons - The Cleftones |
| 92. |
Gee
- The Crows |
| 93. |
Hushabye
- The Mystics |
| 94. |
Book
of Love - The Monotones |
| 95. |
Goody
Goody - Frankie Lymon and the Teenagers |
| 96. |
Never
- The Earls |
| 97. |
The
Great Pretender - The Platters |
| 98. |
Image
of a Girl - The Safaris |
| 99. |
I'm
So Young - The Students |
| 100. |
In
The Chapel In The Moonlight - The Orioles |
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